New release: The Future Is a Country I Do Not Live in

The Future Is a Country I Do Not Live in
Poems

CYNTHIA BUIZA

ISBN: 9781734496598
Library of Congress Control Number: 2022935361
Artwork: Cynthia T. Buiza
Book Design: C. Sophia Ibardaloza
Paper | 6 x 9 | 152 pages
Publication Date: August 31, 2022
Distributors: Bookshop, Amazon and select bookstores
Price: $20

PALOMA PRESS RELEASES THE FUTURE IS A COUNTRY I DO NOT LIVE IN

San Mateo, August 31, 2022 — Paloma Press is pleased to announce the release of The Future Is a Country I Do Not Live in, a debut poetry collection by immigrant rights advocate and California State Commissioner Cynthia Buiza. 

In The Future Is a Country I Do Not Live in,  we encounter stories of confluence and crossings. It is an intimate look at the lives, hopes, dreams and often brutal truths surrounding the immigrant experience. Boris Dralyuk, Editor-In-Chief of the Los Angeles Review of Books, describes the collection as delicate and uncompromising. “Who leaves their [native land] to suffer and sacrifice so much if not to seek a better way of living and being? Poetry is the immigrant experience made visible,” says Buiza in an interview.

The Future Is a Country I Do Not Live in is available through Bookshop.org, Amazon, and select bookstores. For more information, please email editor [at] palomapress.org.

Advance words:

“In her enchanting collection of poems, Cynthia Buiza traces “the shape of memories, / the noise they make,” with a delicate, uncompromising touch. Her calm, melodious lines push open the doors we tell ourselves we cannot open, doors to rooms that hold what we believe we cannot face — “mother, lover, loss.” Distilled from years of longing and griefwork, of solitary walks and communal rituals, Buiza’s wisdom is sweet wine for bitter times.” – Boris Dralyuk, poet, translator and Editor-In-Chief of Los Angeles Review of Books

“Cynthia Buiza’s poetry continues to witness, unceasingly, inviting us to join her in what I call as the last vigil to a passing world, where despite the odds and doubts, she continues to recollect the tracks and thoughts of our fugitive, fragile lives, now enshrined in a foreign tongue she has recoiled and reconciled as her own domicile, a second skin.” – Kristian Sendon Cordero, poet and translator

“What does poetry look like from the notebooks of a life thoughtfully walked?  These pages reflect the maturity of consequence, filled by a migrant advocate, world citizen, and a spirit who has held poetry long enough to understand its torrents.  Poetry, for those who stroll outside its white walls, is a “miracle at dawn.”   And there are many miracles in this debut collection – language as a “dance between mercy and grace” – so much thinking, so much survival, so much courage, from a poet who paves her journey by documenting the everyday vanishings and appearances.” – Bino A. Realuyo, author of The Gods We Worship Live Next Door and co-founder of The Asian American Writers Workshop

“Many worlds collide in the poetry of Cynthia Buiza, but what remains with the reader are the worlds of the new country vis-a-vis the old homeland. Silt and silk, stone and star, a vast country and an archipelago “with too many names for islands.” People suffer and live in her poems; violence and hope commingle here. “She maps this line of desolation from one continent to another…” It is a poetry teeming with images moist and melancholy, “ghosts frozen in the dead eye of memory.” The rough-grained world of the everyday and the slippery world of dreams are present, “surfacing in her dreams/ trailed by a lullaby of crickets nesting… in secret places.” This is an assured debut for a poet whose wise and wonderful voice deserves to be heard, loud and clear.” – Danton Remoto, author of Riverrun, A Novel, Winner of the National Achievement Award for Poetry, Writers’ Union of the Philippines

About the author:

Cynthia Buiza is the Executive Director of the California Immigrant Policy Center (CIPC). She earned a Masters in International Affairs from the Fletcher School at Tufts University, with a concentration on human security studies. She also holds certificates from the Harvard Kennedy School of Government and the Stanford Graduate School of Business. Cynthia currently serves as a California State Commissioner with the Little Hoover Commission and the CA100. This is her first poetry collection.


Forthcoming this summer!

THE FUTURE IS A COUNTRY I DO NOT LIVE IN A Debut Poetry Collection by Cynthia Buiza Advance words: “In her enchanting collection of poems, Cynthia Buiza traces “the shape…

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New release: Wanna Peek Into My Notebook?

Wanna Peek Into My Notebook? Notes on Pinay Liminality
Essays

BARBARA JANE REYES

ISBN: 9781734496581
Library of Congress Control Number: 2021937400
Cover Art: Mel Vera Cruz
Book Design: C. Sophia Ibardaloza
Paper | 6 x 9 | 162 pages
Publication Date: March 16, 2022
Distributors: Bookshop.org, Amazon, Barnes & Noble, Books Inc., Paloma Press, and select bookstores
Price: $18

PALOMA PRESS RELEASES WANNA PEEK INTO MY NOTEBOOK? NOTES ON PINAY LIMINALITY

San Mateo, March 16, 2022 — Paloma Press is pleased to announce the release of Wanna Peek Into My Notebook? Notes on Pinay Liminality, a collection of lyric essays by Barbara Jane Reyes, author of the poetry collections, Letters to a Young Brown Girl (BOA Editions, Ltd., 2020), Invocation to Daughters (City Lights Publishers, 2017), To Love as Aswang (Philippine American Writers and Artists, Inc., 2015), Diwata (BOA Editions, Ltd., 2010), Poeta en San Francisco (TinFish Press, 2005), and Gravities of Center (Arkipelago Books Publishing, 2003).

Wanna Peek Into My Notebook? rigorously explores diasporic Pinay poetics and its reclaimed spaces, where the author firmly situates her work within a new literary genre of immigrant literature. Dr. Jean Vengua, mixed media artist and writer, notes, “What I admire most in Barbara Jane Reyes’ writing is her insistent, critical inquiry into the nature of the Pinay experience and writing. Wanna Peek into My Notebook? Notes on Pinay Liminality invites you into the author’s process, her willingness to “write through the ugliness and horror,” to examine and disrupt perceived notions about Pinays and WOC—whether in family, society, world literature, even in language itself. We learn about the contexts and history, the influence of family and community on her poetry. Reyes’ literary explorations have always ventured along multiple routes, yet she has developed a consistent path of questioning that becomes the writing itself—which, by the way, is not always in the form of poems, but also blog posts, memes, spoken word, journal excerpts, and essays. One somehow becomes a participant in her journey—one of struggle and joy, and complexity. This process has created a significant body of multifaceted work addressing the times, lives, and struggles of Pinays in the diaspora…”

The collection’s release date is also significant in that the Philippines was supposedly “discovered” on this day over 500 years ago, after Portuguese explorer Ferdinand Magellan claimed the islands for Spain in 1521. Spectroscopic analysis, however, indicates that the earliest known hominin activity in the Philippines is at least 709,000 years old, “pushing back the proven period of colonization by hundreds of thousands of years.” In this new collection, Barbara Jane Reyes continues her work of reclamation, fusing precolonial mythologies, traditions and beliefs with the liminality of immigrant poetics. Wanna Peek Into My Notebook? breaks new ground to welcome everyone, especially poets wishing to position or relocate their work outside of known literary canons.

Wanna Peek Into My Notebook? Notes on Pinay Liminality is available through Bookshop.org, Amazon, Barnes & Noble, Books Inc., and select bookstores.

Advance words:

These critical and East Bay tender third world feminist lyrics model for us what it means to commit to the unglorified “work of arriving,” to care rigorously about craft, and to craft religiously a genuine care for community. Poet-teacher-kasama Barbara Jane Reyes defetishizes the creative politics of poetic life. Through a decade’s worth of intimate autohistoria-teoría, Reyes documents the interiority of her previous books, chronicles the day of her father’s passing, humbly mourns and uplifts mentors such as our beloved Al Robles, insistently questions who gets to tell the Pinay’s story, invites us into a deep genealogy of Pinay literature, and manifests a feminist poetics of dailiness, revision, rethinking, and reckoning. A memoir, a bridge, a lyric, a liminality, this book is a gift from that cool rebellious poet friend who never stops reading, learning, writing, reflecting, and sharing, who sees in us our multitudes, and wants for us nothing short of pure self-determination and possibility. ~ Jason Magabo Perez, author of this is for the mosTless

The passion and prolificacy of Barbara Jane Reyes blooms from, to crib Prof. N.V.M. Gonzalez, the “rhizomatous nature” of the Filipino voice. She is a chronicler whose words bear the watermark of their own specific place and time, while her imagination stretches across history, heritage, and memory. As history is reflective, she evokes our own passage(s) through time, how ways of seeing inform ways of living. If heritage is the sum of cultural treasures, we find memories of our own families and personal moments in the nuances, chemistry, and music of her language. As interstellar black holes bend time and light, she demonstrates how poets, as forces of gravity, bend or re-make the “rules” of language. Her unstoppable catalogue is a defiance against silence and marginalization, while a compassionate light for others, most especially Filipinos of the world who, beyond place and time, grow from a common root: an identity undeniably our own, which we’re all responsible for nourishing. ~ Allan G. Aquino, poet and professor of Asian American Studies at California State University, Northridge

Those of us who have caught on early to Barbara Jane Reyes have been fortunate to follow her slow, strong, and steady evolution coupled with a rhyming evolution within culture and society, every step of the way. Those just tuning in, you’re at the threshold of giant steps. If I may cross a “t” to that – for the past five or so decades, I’ve been silently but keenly following the unfolding of one of the great open secrets of our times: voices in general society hithertofore underground or too unheard now becoming known and coming into their own. Within that broad perspective, IMHO, Barbara Jane Reyes is a vital ark sailing forwards on the tidal surge of our human ancestors and descents. My life and work is ennobled by her presence and power in our midst, all ways. ~ Gary Gach, author of Pause Breathe Smile – Awakening Mindfulness When Meditation Is Not Enough

About the author:

Photo by Peter Dressel

Barbara Jane Reyes is a longtime Bay Area poet, author, and educator. She is the author of Letters to a Young Brown Girl (BOA Editions, Ltd., 2020), Invocation to Daughters (City Lights Publishers, 2017), To Love as Aswang (Philippine American Writers and Artists, Inc., 2015), Diwata (BOA Editions, Ltd., 2010), Poeta en San Francisco (TinFish Press, 2005), and Gravities of Center (Arkipelago Books Publishing, 2003). She teaches Pinay Literature, and Diasporic Filipina/o/x Literature in the Yuchengco Philippine Studies Program at the University of San Francisco. She lives with her husband, poet and educator Oscar Bermeo, in Oakland. @bjanepr


Save the Date: 10/15-10/16

Paloma Press authors Lara Stapleton and Barbara Jane Reyes will be at the 6th Filipino American International Book Festival at the San Francisco Public Library on October 15-16, 2022! Please…

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Congratulations to Paloma Press publisher Aileen Cassinetto!

Aileen Cassinetto, publisher of Paloma Press and Poet Laureate of San Mateo County, CA, has been named an Academy of American Poets Laureate Fellow and will receive a $50,000 grant for her public poetry program. “On Thursday, the academy announced more than $1 million in grants for 23 local and state laureates. They include the Charleston-based Marcus Amaker, Ohio laureate Kari Gunter-Seymour, Illinois laureate Angela Jackson and Aileen Cassinetto of San Mateo County. Others are from Flint, Michigan; Springfield, Massachusetts, and Elgin, Illinois.” Read the announcement here.

Seven Skirts

Paloma Press is pleased to announce the release of Seven Skirts, a debut poetry collection by Jacki Rigoni.

ISBN: 9781734496512
Library of Congress Control Number: 2020932229
Official release date: April 28, 2021
Pages: 72
Price: $16.00
Available now on Bookshop.org, Barnes and Noble, and select bookstores.

Following a journey of coming apart and stitching together a new life after domestic abuse, this debut poetry collection weaves in skirts as a metaphor for both women’s vulnerability and their power. Though steeped in the milieu of #metoo, divorce court, and the ubiquity of violence against women, the tender poems in Seven Skirts center women, mothers, children, wilderness, and the common healing power of women showing up for each other “on a Tuesday.”  

Advance words:

In one of the poems of this aptly titled Seven Skirts poetry collection by Jacki Rigoni, I come across a beautiful word: handwork. It applies to the domestic work of women, from birthing and mothering children to sewing and mending clothes and offering solidarity to each other. It also relates to the work of stitching, through language, a life back together again after rupture. One of the narrative threads has to do with a story of divorce and custody, but it is worn lightly in this collection. The poems that stand out more brightly against this backdrop are those that celebrate women breaking silence after abuse, reclaiming their history, helping each other, learning to let go. The speaker in these poems considers how in the delicate balance of things, it is often the banal and mundane that rescue us: the ordinary ritual of making breakfast, learning to inhabit the space behind the “rented window / …to amaze at grace, again.”
~ Luisa A. Igloria, author of Maps for Migrants and Ghosts (2020), Poet Laureate of the Commonwealth of Virginia 2020-22

In this powerful debut collection, Jacki Rigoni navigates the topic of domestic violence with honesty and bravery. Survival, mending, and how “we bend again toward light,” compels these profound poems that emerge from “a marriage decomposed / with the oak leaves.” What is balm for such loss and disillusionment? Children, mothers, gardenias, and the speaker’s own will of a salmon who moves “herself upstream against every force.” Ultimately, Seven Skirts is a collection rooted in healing. This is a necessary and stunning book.
~ Tayve Neese, author of Blood to Fruit, Co-founder of Trio House Press

Jacki Rigoni lives with her three children in the San Francisco Bay Area, where she serves as Poet Laureate of Belmont, California. She has a master’s degree in English from the University of California, Berkeley, and is a credentialed teacher. A finalist for the 2018 Francine Ringold Awards for New Writers, her poems appear in Nimrod International Journal, Moon City Review, anthologies, and permanent public art installations. Jacki writes on her site WomanUprising.com and facilitates courses for women at WomanU.com.

For review copies, please email editor (at) palomapress.net


Pushcart & Best of the Net Nominees

Congratulations to this year’s Pushcart & Best of the Net nominees! Jeanne-Marie Osterman, Jacki Rigoni, Lara Stapleton (Paloma Press) Cole Eubanks, Eugene Gloria, Veronica Kornberg, Jenna Le, Esteban Rodriguez, James J. Siegel (MiGoZine, Pushcart) Tamiko Beyer, Karla Brundage, Clara Hsu, Hilary King, Mia Ayumi Malhotra, Timothy Liu (MiGoZine, Best of the Net)

Forthcoming: Seven Skirts

In honor of Women’s History Month and National Poetry Month, Paloma Press is pleased to announce the forthcoming release of Seven Skirts by Jacki Rigoni. In one of the poems of this aptly titled Seven Skirts poetry collection by Jacki Rigoni, I come across a beautiful word: handwork. It applies to the domestic work of women, from birthing andContinue reading “Forthcoming: Seven Skirts”

Shellback

SHELLBACK
poems

JEANNE-MARIE OSTERMAN

ISBN 978-1-7344965-3-6
Library of Congress Control Number: 2020935102
Pages: 82
Price: $16.00
Distributors: Ingram (wholesale), Bookshop, Barnes & Noble, and other select bookstores

Thank you so much to everyone who already bought a copy of Shellback! Please consider posting a review here and here.


Paloma Press is pleased to announce the release of Jeanne-Marie Osterman’s second poetry collection, Shellback.

“Courageous, insightful, and unsettling poems about war and family ties.”
Kirkus Reviews

“A not-untroubled tribute and a difficult elegy, Shellback traces the attachment of a daughter to her father from her childhood days of trying “to be his boy” to the grown-up’s task to be his caregiver in his last years. Including horrific details from the father’s WWII Navy service in the Pacific, which the poet memorializes in blunt, terse lines, alongside the harrowing specifics of his decline, Osterman limns a portrait of a complex relationship. Marked by candor and clear-sightedness, these poems resist soothing resolutions and easy solace, which is why they are sure to ring true to readers.”
—Jeanne Marie Beaumont, Letters from Limbo

Shellback is an elegy for a man who taught his youngest daughter how to “stretch a buck, drive a truck, / anchor a screw, win at gin rummy.” Jeanne-Marie Osterman toggles between nightmarish scenes her father witnessed during World War II and the smaller but no less affecting traumas of his final months in a nursing home. Her language is spare and colloquial, with moments of irony and deadpan wit that illuminate every detail. The arduous work of losing and grieving is beautifully preserved in these poems, which in their vividness function like a series of photographs. Or a time capsule. Or amber—something tough, primordial, and nearly clear. Osterman conveys, impeccably and with unflappable grace, the hard-earned knowledge that “no one is only / their sins.”
—Mark Bibbins, 13th Balloon

The beautifully sequenced poems in Jeanne-Marie Osterman’s Shellback yield a searing portrait of the poet’s father as a Depression-era boy and a Navy World War II veteran, given to emotional coldness and barely repressed anger. Their poignancy resides in the poet’s filial devotion, her wish to understand him and care for him in his old age. As Osterman writes in “Forgive:” “I let memories I can’t erase / rest in peace, / knowing no one is only their sins.” With often haunting imagery and carefully clipped lines, she memorably portrays a man, his era, and a daughter’s unstinting love.
—Gardner McFall, On the Line

osterman

Jeanne-Marie Osterman is the author of There’s a Hum (Finishing Line Press). Her poems have appeared in Borderlands, Cathexis Northwest, 45th Parallel Magazine, The Madison Review, and elsewhere. A finalist for the 2018 Joy Harjo Poetry Award and 2017 Levis Prize in Poetry, she is poetry editor for Cagibi, a journal of prose and poetry.


Renowned Poet Visits NCCC

The Niagara County Community College, as part of its Poetry on the Edge Series, successfully hosted a reading featuring Jeanne-Marie Osterman on April 21 in the Dolce Valvo Art Gallery at the Sanborn Campus. Ms. Osterman read from her books Shellback (Kirkus Top 100 Indie Books of 2021) and All Animals Want the Same ThingContinue reading “Renowned Poet Visits NCCC”

Paloma books in libraries

You can check these out today! Library of CongressClose Apart by Robert Cowan (poetry)Shellback by Jeanne-Marie Osterman (poetry)*Seven Skirts by Jacki Rigoni (poetry)The Good Mother of Marseille by Christopher X. Shade (novel)Shield the Joyous by Christopher X. Shade (poetry)The Ruin of Everything by Lara Stapleton (short stories)Pagpag: The Dictator’s Aftermath in the Diaspora by EileenContinue reading “Paloma books in libraries”

Shellback is Kirkus’ #8!

Courageous, insightful, and unsettling poems about war and family ties. Kirkus Reviews Check out Kirkus’ Best Books of 2021, SHELLBACK is #8! Congratulations, Jeanne-Marie Osterman!

More accolades for Osterman’s Shellback!

After earning the coveted Kirkus star, Jeanne-Marie Osterman’s SHELLBACK is a Staff Pick at the New York Public Library! Congratulations, Jeanne-Marie! Fresh from the success of SHELLBACK, Osterman won the 2021 Slipstream Press Chapbook Competition and her most recent work appears in New Ohio Review.

Osterman reads Tabios!

More information about Eileen R. Tabios’ short story collection, Pagpag, here. More information about Jeanne-Marie Osterman’s poetry collection, Shellback, here.

10th Annual New York City Poetry Festival

Jeanne-Marie Osterman’s Shellback & Christopher X. Shade’s Shield the Joyous will be available at the 10th Annual New York City Poetry Festival, July 24 & 25, at Colonel’s Row, Governors Island, New York, New York. Check back for more info.

A KIRKUS STAR FOR SHELLBACK!

Not only is Jeanne-Marie Osterman‘s Shellback chosen by Kirkus‘ Indie Editors to be featured in Kirkus Reviews (June 15 issue), it also gets a Kirkus Star (only 2% of books reviewed get a star)! Huge congratulations, Jeanne-Marie! The Kirkus Star One of the most coveted designations in the book industry, the Kirkus Star marks booksContinue reading “A KIRKUS STAR FOR SHELLBACK!”

SHELLBACK, a Kirkus top indie press book!

Courageous, insightful, and unsettling poems about war and family ties. KIRKUS Kirkus reviews SHELLBACK by Jeanne-Marie Osterman, one of this year’s top indie press books! Read the full review here.

Writers Live: Everett Poetry Night with Steve K. Bertrand & Jeanne-Marie Osterman

Join the Everett Public Library for a celebration of poetry on April 20 at 5pm Pacific. Everett Poetry Night will feature two poets whose work is inspired by their lives and experiences in Everett.  Steve K. Bertrand and Jeanne-Marie Osterman will talk about poetry and each will read a selection of their Everett-inspired poems. SteveContinue reading “Writers Live: Everett Poetry Night with Steve K. Bertrand & Jeanne-Marie Osterman”

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Marcelina

Paloma Press is pleased to announce the release of its 20th book, MARCELINA: A meditation on the murder of Cecilia “Celing” Navarro, by Dr. Jean Vengua.

ISBN: 978-1-7344965-0-5
Official Release Date: September 2020
Pages: 34
Price: $16
Available now on Amazon.

*Jean Vengua reads from Marcelina here.

ADVANCE WORDS

You must sit down to read Jean Vengua’s “Marcelina”—an epic poem for our times. Bringing to light the lived experience of a young Filipina American immigrant woman in the 1920s and 1930s Central California, she captures a powerful event that can no longer remain buried. Vengua’s passionate writing braids history, geography, gender, ethnicity and race to illumine why we must now dig up those discarded in the levees of our past. The silencing forces of history are undone by Jean Vengua’s writing. Through her, we can finally know about and feel Celine Navarro’s life.
Celine Parreñas Shimizu, director of THE CELINE ARCHIVE (2020)

It is an honor to revisit Jean Vengua’s long poem, “Marcelina,” two decades after it was first published in the anthology Babaylan. “Marcelina” is jarring in its quiet, meditative moments, contrasted against voices and acts of historical violence. Vengua asks us to join her, to unearth our buried history and herstory, look hard at the violences we have inflicted upon our own. Vengua resists the insularity, the suffocation of that history, pays back this violence with witness, with gentle words. She pays respect to the woman, Marcelina, by honoring the earth in which she was interred.
Barbara Jane Reyes, author of Invocation to Daughters and Letters to a Young Brown Girl

ABOUT THE AUTHOR
Jean Vengua is a Filipinx American poet and visual artist, author of Corporeal (Black Radish Books), Prau (Meritage Press), and The Aching Vicinities (Otoliths Press. Chapbook). With Mark Young, Vengua co-edited the First Hay(na)ku Anthology, and The Hay(na)ku Anthology Vol. II. As co-publisher of Tulitos Press with Elizabeth H. Pisares, she published/edited the Debut: The Making of a Filipino American Film by Gene Cajayon and John Manal Castro, and The Flipside, by Rod Pulido. Jean was born in San Francisco, raised in Santa Cruz, and lives in Monterey, CA. Her art and writing can be viewed at jeanvengua.com

ABOUT PALOMA PRESS
Established in 2016, Paloma Press is a San Francisco Bay Area-based independent literary press publishing poetry, prose, and limited edition books. Paloma Press believes in the power of the literary arts, how it can create empathy, bridge divides, change the world. We actively engage in “bayanihan”—a term which encompasses community strengthening and cooperation, and nourishing connections and shared identities. To this end, we have released fundraising chapbooks such as MARAWI, in support of relief efforts in the Southern Philippines; and AFTER IRMA AFTER HARVEY, in support of hurricane-displaced animals in Texas, Florida, and Puerto Rico. As part of the San Francisco Litquake Festival, we proudly curated the wildly successful literary reading, “THREE SHEETS TO THE WIND,” and raised money for the Napa Valley Community Disaster Relief Fund. In 2018, the fundraising anthology, HUMANITY, was released in support of UNICEF’s Emergency Relief campaigns on the borders of the United States and in Syria. Paloma Press continues to donate a portion of its proceeds to non-profits committed to working for racial justice, animal rights, marginalized communities, and climate change.


Jean Vengua in HALO-HALO

What is your most recent book? Marcelina: A meditation on the murder of Cecilia “Celing” Navarro. This is a slightly revised reprint, in chapbook form, of the long poem first published in 2000, in Babaylan: An Anthology of Filipina and Filipina American Writers, and co-edited by Nick Carbo and Eileen Tabios. Continue reading here.

Maileen Hamto reviews MARCELINA

From THE HALO-HALO REVIEW: Whispers of hauntings always bring back stories of near-forgotten suffering, trauma buried deep into a community’s collective memory. Jean Vengua’s chapbook, Marcelina: A Meditation on the Murder of Cecilia “Celing” Navarro,” is the vessel of remembering for a new generation of Filipino-Americans to revisit an agonizing chapter in our history. ContinueContinue reading “Maileen Hamto reviews MARCELINA”

Pushcart Prize Nominees

We’re very pleased to announce our 2021 PUSHCART PRIZE nominees! MARCELINAFrom Marcelina by Jean Vengua (September 2020) WHILE YOU RESTFrom Shield the Joyous by Christopher X. Shade (April 2020) THE LAWNMOWERFrom Shield the Joyous by Christopher X. Shade (April 2020) IN THE ALABAMA TOWN WHERE I GREW UP, THE TOWN SQUARE WASN’T A SQUARE. From Shield theContinue reading “Pushcart Prize Nominees”