Of sheer necessity, books with huge titles often beg for ways of qualifying its high purpose, and this anthology offers that frame in the editor’s introduction… continue reading.
(Read Eileen Tabios’ Introduction to Humanity)
Of sheer necessity, books with huge titles often beg for ways of qualifying its high purpose, and this anthology offers that frame in the editor’s introduction… continue reading.
(Read Eileen Tabios’ Introduction to Humanity)
Ivy Alvarez’s fifth collection, Diaspora: Volume L, is made up of beautiful vignettes with Filipino sayings at their cores, which portray charged moments in romantic relationships and everyday interactions with the world. Each title is an idiom, and acts as the linguistic scaffold around which a poem is deftly built… continue reading.
The wheatfields of Leny Strobel’s memoir… continue reading.
“As I write this review more than a million school children all over the world, following the example set by the Swedish schoolgirl, Greta Thunberg, are staging protests to call for urgent action to combat climate change…” Read the full review here.
“The Good Mother of Marseille is a vibrant and dark novel that touches on social issues of neglected crime, domestic abuse, and secrets within a foreign country, all while facing issues that hit more personally, such as disease, heartbreak, and trying to survive. As the story unfolds, the characters come to life. The character array varies: two American students trying to understand their life choices, a homeless girl making decisions on the whim, a man with a disease trying to see the last of things while losing his eyesight, his wife, a lone man stuck in the past and facing cancer, and finally a writer trying to understand the complexity of Marseille. There is not an outrageous story line for the audience to follow, but rather moments in time with characters in the city: “Hard seemed to be the way for everyone she knew in Marseille. Hard was simply the way of Marseille, in every way, big and small. But it was worth it…She had made Marseille her place now.” Shade is able to capture the humanistic quality of each one of his characters by exposing their vulnerabilities to the audience. Through this, the audience grows to care about the characters: “He was glad to know this in advance, to know that a monster of illness was about to pounce on him. Illness was a monster that out of nowhere jumped on you with its claws out.” Each one of these characters have come to Marseille as a way to escape, whether that be the doom of an impending disease or a secret place for them to piece their lives back together though it is really falling apart. The structure works well to highlight the story because it spends moments with each of the five main characters and what they are facing, along with the different people they encounter. While we may not know those names or how these minor details will fit into the story, they always come back, giving the audience this sense of comfort, knowing what is going on. There is an instance in the story where two men are talking about seemingly different situations that sit heavily on their minds—all while the reader observes the heartbreaking moment, knowing that they are talking about the same person without ever realizing it…”
Manhattan: An Archaeology, Eileen R. Tabios (Paloma Press, 2017)
Though titled Manhattan, this collection is not about the city so much as the people who inhabit a “make-believe” location of cultural moshing. Continue reading here.
Blue, Wesley St. Jo and Remé Grefalda (Paloma Press, 2017)
St. Jo and Grefalda excel in describing the nuance of a color… Continue reading here.
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